It’s the scab he can’t help scratching. Thom doesn’t love Spotify, he doesn’t want to play with them anymore – he wants them
to go away.
Thom’s reasoning is well documented and a view he’s entitled to have as a creator and rights-holder but it doesn’t give us any help on finding a way forward. Where once Radiohead broke the mould in download pricing, they no longer have any radical suggestions to offer.
We’ve all been here before
but there are no new solutions. Even in this latest interview, he may speak
about it in more depth but we hear nothing new. He suggests only that it needs
to go away before something new can emerge. Is this true?
Streaming seems to be the future; Spotify has hit a five year anniversary with 24 million active users. YouTube is
older still and its own figures
claim 1 billion unique users every month. In other places you can find a stat that suggests they have 3 billion views per day. To use
ancient, pre-digital terminology it would appear that any attempt to change
these habits would be akin to closing the stable door after the horse has
bolted. We stream, that’s what we do. Thom’s reasoning is well documented and a view he’s entitled to have as a creator and rights-holder but it doesn’t give us any help on finding a way forward. Where once Radiohead broke the mould in download pricing, they no longer have any radical suggestions to offer.
The truth is also that although Thom may decry the old
labels ‘system’ it could be argued that he wouldn’t be in this privileged
position without it. Without the patronage of EMI Radiohead may not have
achieved the success they’ve had. There is still no system for bands to ‘break
big’ without the backing of a major label. There are more routes to market and
many more acts trying to get there. We’re in a gridlock where the old names are
worshipped like they’re the second coming and the new ones loiter in the
background hoping that the spotlight might fall upon them.
In this country radio still has a major part to play in discovering
new talent but Spotify is performing a useful role. They send me at least two
e-mails a week, one mentions the new music added whilst the other suggests
artists based on what they know I’ve listened to. Some of this is new and some
old, it’s valuable and has caused me to investigate a few different acts.
Together with the home-screen, which does a similar function
whenever I open the application, the level of recommendation is better than
other services I’ve used and doesn’t seem to get the praise it deserves.
Spotify may not be perfect but what is the alternative?
At the end of it all there are still some of us with an
appetite for discovery, a desire to consume new music. I also wish that some of
it was made by Radiohead who remain one of our most vital artists.
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